1. I hadn't really done any sequential story telling as in depth as this project.
2. I wasn't working from a script or anything at the time and I managed to create something with a beginning and and end.
It was a precursor to the style I would later use in my comic of Willy Nilly, something which I thought was a mix of anime/Disney/my own sketchiness.
I invented the Viking character when I was assigned to make a shadow puppet in my visual sequential narrative class. He turned out really good and I ended up painting a watercolor of him in one of my sketchbooks and he just grew from there.
I'm not sure if I'm going to have the rest of the panels scanned just yet. Due to the number of panels I created scanning them in one go is a test of endurance. Maybe I'll try again in small chunks but that will be when I have some spare time...heh heh....heh heh heh heh....ha ha ha ha ha ahahahahaha...*ahem*. But in all seriousness the story was never finished when I had to turn in the work. Some of the scenes where abbreviated because of time restraint which made for an unsatisfactory ending, though that's easily fixed.
There is one panel missing in the sequence that was rather entertaining when I was making it. After the corpse comes out and talks to the Viking, he goes back into his wooden chest he came out of. I think it was only one panel but it gives the corpse more character to know that he hides in random storage containers in this Viking's house.








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"You know that line that separates fiction and reality? Let's just say that there's a reason I can't draw a straight line..." Twisted Harbinger
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1,000,000
[link]
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"You know that line that separates fiction and reality? Let's just say that there's a reason I can't draw a straight line..." Twisted Harbinger
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Die for your home, religion and homeland! Well... that home I can take, but religion and homeland I must think twice...
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